Archive | November, 2012
Photo by Henry Leutwyler

Hands and Arms

Every dancer wants to have a beautiful port de bras that looks effortless. What is the secret? Using your back! When you are performing, rehearsing, or just at the barre, focus on your arms coming from your back. Thus, they will always be correct. This makes them look effortless yet strong at the same time. For […]

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Arabesques and Back Flexibility

There are definitely ways to increase flexibility in your back in order to improve your arabesque. But, contrary to popular belief, it is not all about bending yourself in half. Here are a few things to do and think about to achieve your best possible line. First, you must think of doing an arabesque in […]

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Creating Your Own Story

Everyone loves a dancer that can truly become whatever character they are playing. I like to think that no matter what kind of ballet I’m doing, there is some sort of story involved-even if it is a short reperatory piece. If there is not a plot, I create one in my head. It is important […]

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The Basic Stage Eye

With so many performances of “The Nutcracker” just around the corner, I thought it would be useful for me to show all of you a basic stage eye. I learned this from Michael Avedon, a former makeup artist with the New York City Ballet. This is my blueprint for doing my makeup, no matter what […]

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Photo by Gwyneth Muller

On Your Own

Ever been injured and had to figure out how to get back into shape? Are you one of those dancers who teachers ignore? Maybe you are a student who isn’t getting enough classes in a week to push your dancing to a professional level. Whatever your circumstances may be, often times you are left to […]

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